Though I never knew my maternal grandfather,
Peter Mansbendel, I strongly felt his presence as I was growing
up. His art work and his sense of humor were obvious in my
home and, to an even greater extent, throughout his home next
door.
Granddaddy's work in our home included a lovely Ave Maria
plaque set into the wall over the living room mantel, a four
foot floral swag above the dining room china cupboard, two
large chests, a dining room suite he had made my parents for
a wedding gift, and a "piecrust" table, to name
a few pieces. Decorating the front of the house were carved
limestone portraits of my parents.
The artwork in the Mansbendel home was mind-boggling; but
what I really noticed and enjoyed were the winking characters
smiling down from the ceiling beams and the snail crawling
slowly up the staircase as a frog hopped quickly down...each
atop a newel post. A figure of a kneeling baby was on the
bottom newel post; and an owl was on the top one. When I spent
the night with Grandmother, bathing was more like swimming
in an aquarium. "Embossed" on the walls of the bath
were three dimensional fish, sea plants, and lobsters. Granddaddy
had said it made you feel like you were going to the beach
without all the trouble of doing so! Occasionally Grandmother
would open a treasure trove in the form of a six foot black
walnut chest. Back then I was focused on the old dolls inside,
but later realized the real treasure was the chest itself,
in my opinion, Peter Mansbendel's most ornate and beautiful
work.
Granddaddy obviously enjoyed his adopted home as historic
Texas figures and scenes were abundant. To me the most memorable
were a huge likeness of Sam Houston with hat and cane and
Stephen F. Austin. On the table below Sam Houston sat a pentagonal
humidor, each of the sides depicting one of the San Antonio
missions. On the lid of the humidor was carved the five-pointed
Texas star. I loved that old humidor for its scenes, but also
for the unusual, handmade masks stashed inside. This piece
was later given to Lady Bird Johnson.
Sunday dinners (at noon) were always at Grandmother's. The
dining room wasn't particularly large, but it was beautiful
with architectural details including carved flower panel wall
insets, carved "shell" corner cupboards in two corners,
and carved chandelier. I must say that my grandmother, Clo,
was an artist, too....especially in the kitchen!
Peter Mansbendel wasn't just a woodcarver. Other fun creative
touches in his home included colored wine glasses set into
the living room window ledges and a huge green glass wine
cask perched on one of the living room beams in which hung
a celluloid (plastic) gold fish. Grandmother had the bottle
removed for fear the sonic booms would cause it to vibrate
off the beam. There were faux iron beam braces (made of apple
box, but you’d never guess it!) that "held“
them together, carriage and ships lanterns, as well as a beautiful
porcelain Chinese goddess for which he traded a piece of his
work. Hanging from the center of the two story cathedral ceiling
was a huge, four-sided, closed-bottom red and bronze light
fixture that was the target of paper airplanes flown by my
brother from a balcony. I remember one being in that light
for a very long time!
So, yes, even though I didn't know my grandfather personally,
I feel I know his personality pretty well. I wonder how many
times my grandmother said to me "Oh, how I wish your
grandfather were here; he'd have taught you how to carve."
Dee Dee (Williams) Brown
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